The three mainstream of modern diamond jewelry

According to the De Beers Diamond Consulting Center, the authority of the international diamond industry, the style of diamond design in the world can be summarized into three main mainstreams: simple and refined, returning to nature and classic decoration:

One of the mainstream: simple and succinct

The simple supremacy principle of “less is more” that was once popular in architectural art in the early years was used in modern diamond design. Simple and smooth lines, simple and concise overall structure, form the main theme of this style. The soft and smooth car, the dunes of the bright and the dark, the soft and elegant marble and the constant pyramid are the perfect expressions of this artistic style. The diamond ornaments designed in this style, whether it is rings, Earrings, pendants, pins and bracelets, are streamlined or geometric in appearance, with a simple, clear and restrained look.

The second mainstream: return to nature

Vibrant nature is always infinitely appealing to modern urbanites who are trapped in the reinforced concrete jungle. In the 1990s, when humans gradually lost their original land, forests, and river resources, environmental issues have become a new focus in people's lives. As a result, human beings have re-entered the embrace of nature, and this return to nature has also influenced the design of diamond jewelry. Beautiful leaves, interesting shells, vibrant sunflowers, and wonderful zebra patterns have become the source of inspiration for designers. The processed design not only accurately reflects the magic of the natural original, but also creates a more concise effect. People can smell fresh and pristine nature from petal-shaped rings, hippocampus-like pins, and drop-shaped earrings.

Mainstream three: classic decoration

Humans seem to never forget their own civilization. Therefore, the trend of retro will come back once in a few years, and it will become more and more intense. The decorativeism that contradicts the modern consciousness of simplicity is prevalent. Ancient Roman-style decorative reliefs, Chinese-inspired stone bridges in the Ming and Qing dynasties, Gothic spires, and the mysterious totems of primitive tribes have become the subject of this decorativeism, characterized by jewellery. The colors, patterns and outlines are carefully designed, the colors are gorgeous and the structure is complex and exquisite.

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